Plays

Get ready for the 2020/21 season with these picks from the Concord professional licensing team.

David Wood talks about writing for young audiences and young performances, adapting Roald Dahl’s tales for the stage, and working on the West End production of The Go-Between with Richard Taylor.

Suggestions of Alan Ayckbourn shows from UK groups to perform.

Nick Payne, author of critically acclaimed plays such as Constellations and If There Is I Haven’t Found It Yet, shares an insight into his creative process.

Henry Filloux-Bennett discusses adapting Nigel Slater’s autobiography Toast for the stage, why food is at the heart of the show, and advice for future performers.

Suggestions of Tennessee Williams shows for UK amateur and student groups to perform.

Jack Bradfield of Poltergeist discusses creating the play Lights Over Tesco Car Park and offers advice on how to stage it yourself.

With the release of expanded The Agatha Christie Collection, which features some plays that were unavailable to the general public for decades, actors have the opportunity to embrace some exciting and challenging new roles. 

Agatha Christie is well-known for writing for the page and the stage, but it is not common knowledge that she also wrote for radio and television as well. 

Monica Dolan discusses writing and performing in her one-woman play, The B*easts.

Branden Huldeen, Artistic Producer and Director of New Play Development at Barrington Stage Company, reflects on his experience in presenting The Cake by Bekah Brunstetter.

Jamie Boller’s account of the journey from page to stage in her work playing the fierce heroine Viola de Lesseps in SHAKESPEARE IN LOVE.

Read more about Patrick Barlow’s Ben Hur and its production at the Tricycle Theatre in the UK from Jennifer Bakst.

Artistic Associate of Remy Bumppo Theatre Company, Nick Sandys, discusses the series of events that oddly aligned with a production of The Skin of Our Teeth and reminds us of the wisdom of Thornton Wilder.

In this reprint from Wilder Moments, director, Dámaso Rodriguez, discusses how he encountered The Skin of Our Teeth and the challenges & surprises of wanting to direct it.

Learn about the experience of creating a show with Ken Ludwig at Robinson Secondary School in Fairfax, Virginia. This article is part of our Samuel French Awards Series honoring several playwrights, including Ken Ludwig.

Cynthia P. Schneider discusses the importance of art in today’s society, A Raisin in the Sun and, how this play connected people across the world.

Wisconsin director Mark Flagg explores political tension amongst families in this classic play.

Jared Bellot spoke with renowned jazz musician Orbert Davis, who composed and recorded the original music for Paradise Blue, to discuss his 30-year career, his approach to working on the play, and the power of jazz.

English teacher and actress Sharon Zolper reflects on her moving experience in CALENDAR GIRLS.

“No one ever has their first play published. It just doesn’t happen.” Kris Vosler, author of A Good Old Fashioned Redneck Country Christmas, defied the odds and proved the axiom wrong.

Take a look behind the scenes of a theatre company for six great tips on how to create a season!

Life-changing shows don’t just fall into your lap every day. When you find them, you have a duty to bring them to life.

Want audiences to have a rockin’ good time at the theater? Learn about Ryan Bowie’s staging of THE AWESOME 80S PROM and why you should bring this show to your theater!

A great theater experience allows us to see our human selves reflected back—in a way that moves, informs and enables us to relate to the realities of the lives of others.

Playwright Clare Barron discusses the development of BABY SCREAMS MIRACLE and the search for meaningful things in life.

Jack Cannon examines Audrey Cefaly’s gritty reality of the modern South and the universality of the Southern experience.

How do writers transition from stage to screen? How about maintaining both careers? Learn more in our latest series.

How do writers transition from stage to screen? How about maintaining both careers? Learn more in our latest series.

How do writers transition from stage to screen? How about maintaining both careers? Learn more in our latest series.

When a co-production of Bad Jews is presented in Frankfurt, Germany, the city of Anne Frank’s childhood, what’s the reaction? Read more here.

In a first-ever collaboration by three professional Vermont theaters, Alan Ayckbourn’s THE NORMAN CONQUESTS will be produced in rotation this spring and summer. Learn more!