Productions

What’s the first step to producing SMART PEOPLE by Lydia Diamond? Getting smart.

Eric Ulloa’s docu-drama style play examines the story of the Sandy Hook shooting. Learn more about the premiere production here.

Wisconsin director Mark Flagg explores political tension amongst families in this classic play.

After nearly 17 years, Tony and Emmy Award winner Mandy Patinkin will make his long-awaited return to Broadway in Natasha, Pierre & The Great Comet of 1812 starring as ‘Pierre’.

English teacher and actress Sharon Zolper reflects on her moving experience in CALENDAR GIRLS.

The General Manager of the Broadway Rose gives us a window into their musical film noir success!

Life-changing shows don’t just fall into your lap every day. When you find them, you have a duty to bring them to life.

Want audiences to have a rockin’ good time at the theater? Learn about Ryan Bowie’s staging of THE AWESOME 80S PROM and why you should bring this show to your theater!

What is theatre’s role in a fractious political landscape? Pittsburgh’s City Theatre Company’s Clare Drobot explains their latest experience.

A great theater experience allows us to see our human selves reflected back—in a way that moves, informs and enables us to relate to the realities of the lives of others.

The cast and crew of GROUNDED by George Brant share their advice for producing a one-woman show.

This season, The Playhouse San Antonio is mounting the classic THE SECRET GARDEN but with a beautiful, modern twist. Learn more here.

How do people change? Can they transform themselves? Or does change occur as a series of events? Learn more in this piece about Jen Silverman’s THE ROOMMATE.

Photo journey of Pittsburgh’s DANI GIRL time at The Edinburgh Fringe Festival!

What happens when an actress takes on a one-woman show about America’s beloved humorist who championed women’s lives with wit and truth? Learn about her journey.

A bit period costume, a little bit Russian, and a lot gypsy punk. Learn more about GREAT COMET’s costume design here.

This past summer, Hudson Valley Shakespeare Festival produced Our Town with a company of 3 professional actors and 36 citizen actors from towns dotted around the theater’s performance-space home. Learn more in this feature.

The fourth article in our feature on American Stage’s Century Cycle by August Wilson.

The third article in our feature on American Stage’s Century Cycle by August Wilson.

The second article in our feature on American Stage’s Century Cycle by August Wilson.

The first article in our feature on American Stage’s Century Cycle by August Wilson.

Ten women, all over 65 years old, bringing 25 characters to life. Learn more about Two River Theater Company’s production of I REMEMBER MAMA here.

Continuing the celebration of THE SECRET GARDEN’s 25th anniversary, this part love letter, part memory, part ode to beauty will leave you in the best of spirits.

Stephen Dolginoff’s brilliantly crafted, campy, new musical, Monster Makers, seemed an apropos fit for the Valentine Theatre’s Studio A series season opener. Learn more here.

Shakespeare in Love director, Declan Donnellan, in conversation with David Prosser, Literary and Editorial Director at the Stratford Festival

Lorraine Hansberry considered LES BLANCS to be her most important work; but do you know why? Learn more here.

A dinner and a show…in a funeral home? Beaverton Civic Theatre shows you how it’s done.

Famed poet Samuel Beckett would have been 110 this year and OSF – now 81 – is dutifully celebrating the once maverick playwright with an experimental staging of a play that was inspired by his remarkable life. Learn more here.

Ryan Scott Oliver’s 35MM is “a multimedia musical” inspired by photographer Matthew Murphy’s images. Don’t miss this beautiful read!

When a co-production of Bad Jews is presented in Frankfurt, Germany, the city of Anne Frank’s childhood, what’s the reaction? Read more here.

In a first-ever collaboration by three professional Vermont theaters, Alan Ayckbourn’s THE NORMAN CONQUESTS will be produced in rotation this spring and summer. Learn more!

Where are the limits to what technology can replace? In this series from Playwrights Horizons, explore Jordan Harrison’s newest play, MARJORIE PRIME.