Playwrights

Playwright Rosary O’Neill discusses moving productions to the virtual stage and the benefits of keeping the work alive even from a distance.

“One of the things both my grandfather and dad have both talked a lot about is belonging to the ‘Family of Actors.’” Beau Bridges and Emily Bridges present their musings on writing Acting: The First Six Lessons.

Dublin-based playwright Lee Coffey turned to the remarkable, challenging history of his hometown for his play In Our Veins, which premiered at the Abbey Theatre last year.

Concord Theatricals is proud to represent plays by Black authors that grapple with current themes and the history of the Black community. To commemorate Juneteenth, we’ve pulled a selection of titles.

Discover more about the writer and composer team behind musicals such as Mrs Beeton Says… and The Legend of Sleepy Hollow.

Rosary O’Neill’s play Degas in New Orleans is making its way to the silver screen. Read more about its journey from stage to screen.

Find out more about the Miss Littlewood, written and composed by Sam Kenyon!

Michael Patrick and Oisín Kearney discuss writing My Left Nut and The Alternative.

Author Rabiah Hussain shares the inspiration behind Spun, a story the evolution of a friendship, and also offers a few tips to those wanting to stage it!

Playwright Martin Casella discusses rewriting his play, The Irish Curse, for more diverse casting and a wider audience. The raucous five-character comedy deals with male body image, what makes a man a man, and what the hell masculinity really is.

Playwright Emily Jenkins discusses working with students to create COOKIES and gives advice for anyone wanting to license the play too.

Comedian, author, actor and playwright Katy Brand talks about her debut play.

Writer Matilda Ibini chats to us about bringing her own poignant and incredibly funny story to life on stage.

Playwright Rosary O’Neill discusses her recent trip to Bonn, Germany as part of her work with Fulbright and discusses Degas’ shrouded ties to The Big Easy.

David Wood talks about writing for young audiences and young performances, adapting Roald Dahl’s tales for the stage, and working on the West End production of The Go-Between with Richard Taylor.

Octavio Solis, born in El Paso, Texas, to two Mexican immigrants, is quintessentially American — except he isn’t. Solis explores the “in-betweenness” of his Mexican-American identity and its impact on his storytelling.

Warner Brown talks about the inspiration and productions of his musical, co-written with David Heneker, The Biograph Girl.

Playwright Peter Quilter chats about his first Broadway play, End of the Rainbow, and its journey to the silver screen in Judy.

17 year-old Phanesia Pharel was a first-place playwright at the Florida State Festival and has won some of the biggest awards for playwriting.

Concord Theatricals playwright and former employee of Samuel French, Julia Izumi, breaks down Samuel D. Hunter’s A Great Wilderness.

This 2015 article from the Samuel French archives breaks down Samuel D. Hunter’s The Few, diving into what’s compelling about the play, and why you might want to produce it in this moment. Read on for a quick overview on the touching piece.

Playwright Leon Kaye explains the genesis of his dark comedy, in which two women plot to murder an insufferable girl who hopes to marry into their family.