Playwrights

David Wood talks about writing for young audiences and young performances, adapting Roald Dahl’s tales for the stage, and working on the West End production of The Go-Between with Richard Taylor.

Octavio Solis, born in El Paso, Texas, to two Mexican immigrants, is quintessentially American — except he isn’t. Solis explores the “in-betweenness” of his Mexican-American identity and its impact on his storytelling.

Warner Brown talks about the inspiration and productions of his musical, co-written with David Heneker, The Biograph Girl.

Playwright Peter Quilter chats about his first Broadway play, End of the Rainbow, and its journey to the silver screen in Judy.

17 year-old Phanesia Pharel was a first-place playwright at the Florida State Festival and has won some of the biggest awards for playwriting.

Playwright D.L. Coburn, author of The Gin Game, discusses the play’s journey, why this story continues to resonate today, and how Broadway still dazzles him.

Concord Theatricals playwright and former employee of Samuel French, Julia Izumi, breaks down Samuel D. Hunter’s A Great Wilderness.

This 2015 article from the Samuel French archives breaks down Samuel D. Hunter’s The Few, diving into what’s compelling about the play, and why you might want to produce it in this moment. Read on for a quick overview on the touching piece.

Playwright Leon Kaye explains the genesis of his dark comedy, in which two women plot to murder an insufferable girl who hopes to marry into their family.