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Our collegiate licensing team discusses their picks for next year’s perfect season.

If you’re planning a season for K-12 students, this article might be just what you need to get started. Take a look at our picks for the 2019/20 Season for K-12.

With the release of expanded The Agatha Christie Collection, which features some plays that were unavailable to the general public for decades, actors have the opportunity to embrace some exciting and challenging new roles. 

Agatha Christie is well-known for writing for the page and the stage, but it is not common knowledge that she also wrote for radio and television as well. 

Rosemary Bucher discusses her picks for plays great for K-12 performers.

Great plays and musicals for UK university students to perform.

Celebrate this Siblings Day with Concord Theatricals’ list of 15 shows all about brothers and sisters.

SPOILER ALERT: Artistic Director Mary Jane Hansen muses on Enid Bradshaw, and the central debate in Agatha Christie’s The Stranger.

Playwright Phil Porter shares an insight in his creative process writing Blink and rewriting Roman comedy in classical farce Vice Versa.

An interview with the writer and composer behind Thrill Me: The Leopold and Loeb Story.

Spring musicals season is winding down, which means it’s time to kick back, open a script, and start thinking about your fall dramas. Take a look at our picks for 2019.

Playwright Rosary O’Neill talks Degas, New Orleans, and Paris.

Monica Dolan discusses writing and performing in her one-woman play, The B*easts.

Get ready to debate in this in class exercise from the Shakespeare in Love Production Handbook.

Unleash your inner poet in this excerpt from the Shakespeare in Love Production Handbook.

Take a journey across the sea in this excerpt from the Shakespeare in Love Production Handbook.

A discussion where you will hear from three of the many people who came together to make Pipeline by Dominique Morisseau a success:

Jenni Rushton and Keith Beattie share their experiences of directing an amateur production of Agatha Christie’s Murder in the Studio.

A conversation with playwright Bekah Brunstetter on the opening of The Cake at MTC, all things playwriting, working on This Is Us, and about her upcoming project The Notebook Musical.

“How would this play centered on the Black experience hold up with a predominantly white audience? Would the jokes land and appropriate emotions be stirred?” In this article, director Reginald Douglas discusses fostering empathy and conversation with August Wilson’s Two Trains Running at Weston Playhouse.

Here are hot titles straight from our licensing team that you need to know this month.

Raymond Allen discusses his hit sitcom Some Mother’s Do ‘Ave ‘Em, which has recently been adapted for stage by Guy Unsworth.

Javaad Alipoor shares an insight into directing One Flew Over The Cuckoo’s Nest.

Contributor Katie Coryell shares 10 things you might not know about The Great Comet.

The much beloved 1988 film turned stage adaptation has audiences clamoring into theatres across the country. Here we share 10 facts only a true fan would know!

We chatted with our Professional Licensing Team, Theresa Posorske and Zach Kaufer, about their suggestions for plays and musicals that could round out your season planning.

ArtsWest production of Peerless.

Alley Theatre’s Associate Director for Design Kevin Rigdon revisits Steve Martin’s Picasso at the Lapin Agile.

Director Lucy Bailey’s take on Witness for the Prosecution.

Discovering Agatha Christie’s lost manuscripts.

A conversation with Jiehae Park on writing Peerless and Hannah and the Dread Gazebo.

Director Courtney Sale’s take on The Cake by Bekah Brunstetter.