Productions

From the director of Pass Over, read about the thought provoking and inspiring play that represents a genuine theatre experience.

Hale Centre Theatre is Utah’s leading professional family theater. HCT was thrilled to be given the opportunity to invigorate Tuck Everlasting with spectacular set designs, charming period costuming, and strong performances on its new Sorenson Legacy Jewel Box stage.

As students and the local community of Johnson County, Kansas struggled to confront issues of teen suicide, violence and bullying, a local high school ignited the conversation with Heathers – The Musical: High School Edition.

Are you interested in a more modern musical with a rock feel, but have several hesitations that prevent you from considering this option?

Why produce Chicago: High School Edition? As an educator, I am always looking for growth opportunities for my students.

QUANG. Why you so serious? PLAYWRIGHT. Because, Dad, I’m trying to do something important here. Something about you, about Mom, about Vietnam. In the for…

In 2016, I took over as the producing director/CEO of the Cumberland County Playhouse from longtime producing director Jim Crabtree. Jim’s parents, Paul and Mar…

Who could forget the iconic lines of the movie Heathers? In 1988, the movie premiered to surprisingly giant audiences nationwide and garnered a cult following f…

Since the beginning of my teaching career, I have always been on the search for the perfect musical that fits my students, my music director, and the community….

Not for nothing, I jumped for joy the day I learned Tuck Everlasting was going to be the next musical my students and I got to work on.

Finding titles that resonate with high school-aged actors can be an arduous prospect.

Producer Jeremy Wechsler discusses the significance of Joshua Harmon’s recent work, Significant Other. 

Stacey Boone and Melissa Leftwich are Theatre Arts and Art teachers at Jay M. Robinson Middle School in Charlotte, North Carolina. Having completed performances of Rock of Ages: Middle School Edition last year, they share tips and some of their favorite moments of the show!

Having recently opened a new, world-class Mountain America Performing Arts Centre in Sandy, Utah, Hale Centre Theatre has invigorated Tuck Everlasting with spectacular set designs, charming period costuming, and strong performances.

VIETGONE was an inspiring reflection of The REP’s mission, and a story for the ages.

Fight captain for SHAKESPEARE IN LOVE, Helena Whittaker talks about her experience with the show, being a woman in a vastly male-dominated field, and why her position in theatre is so important.

“The audience should feel like they’re watching something pretty naturalistic—and it is—it really is…isn’t it?”

Director Coryn Carson, who staged a production of 26 Pebbles in Orlando, Florida in 2017, offers suggestions for engaging your community when presenting this and other challenging works of documentary theatre.

For one night only!

Read more to find out about Ted Curry’s experience with Theresa Rebeck’s O BEAUTIFUL and why it is an important story to tell.

“It is for the older folk to see the symbolism and philosophy that lies behind [Peter Pan], the pathos of Peter, the utter sadness of the Never, Never Land.”

The Old Globe’s Literary Manager and Dramaturg, Danielle Mages Amato, chats with playwright Ken Ludwig about the many different versions of Robin Hood, his love for this mythic hero, and bringing the story to life on stage.

Tomorrow in the Battle beautifully highlights society’s struggle to find harmony between how isolated we seem to feel and society becoming increasingly interconnected. Read more about Allison Threadgold’s experience with the show.

Communications director of Intrepid Theatre Company Tiffany Tang discusses a production of FATHER COMES HOME COMES HOME FROM THE WARS (PARTS 1, 2 & 3) and how they created an environment where dialogue could be developed, encouraged, and introduced in a safe way.

There is no single paramount challenge to leading a one-person collegiate theatre department. 

Jamie Boller’s account of the journey from page to stage in her work playing the fierce heroine Viola de Lesseps in SHAKESPEARE IN LOVE.

Read about Becca Schlossberg, a Samuel French licensing representative & playwright based in Brooklyn, and her experience of seeing Heathers The Musical at Drew University.

Read more about Patrick Barlow’s Ben Hur and its production at the Tricycle Theatre in the UK from Jennifer Bakst.

Artistic Associate of Remy Bumppo Theatre Company, Nick Sandys, discusses the series of events that oddly aligned with a production of The Skin of Our Teeth and reminds us of the wisdom of Thornton Wilder.

In this reprint from Wilder Moments, director, Dámaso Rodriguez, discusses how he encountered The Skin of Our Teeth and the challenges & surprises of wanting to direct it.

A play set a world away has themes that ring true to audiences in Saint Paul Minnesota where Park Square theatre works towards their mission of serving broader audiences with a variety of different viewpoints.

President and Artistic Director of The Human Race Company, Kevin Moore, discusses their production of 26 PEBBLES by Eric Ulloa.