Q&A

Playwright Leslie Kimbell, creator of the hugely successful “Four Old Broads” series, discusses her dramatic comedy Packing Up Polly, celebrating female friendship, grief, hoarding, and laughing until you cry.

Concord Theatricals playwright Rosary Hartel O’Neill and her daughter Rory Schmitt recently co-wrote a new book, The Haunted Guide to New Orleans. Author/journalist Carole di Tosti discusses their newest joint venture.

Ryan Spahn’s dark and delightful play brings audiences into the world of a community theatre production spinning rapidly out of control. The playwright discusses his inspirations and how he created this tense and thrilling mystery.

Meet John Doe, based on Frank Capra’s beloved film, is a hopeful new Depression-era musical about media, politics and the American Dream. The show’s co-creators discuss the show’s gestation, themes and increasing relevance.

Rachel Bonds’ brilliant plays – including Jonah, Anniversary, Five Mile Lake, Swimmers and Sundown, Yellow Moon – explore themes of growth, moving on, and a universality of space. In this exclusive interview, the playwright discusses her work and its inspiration.

Concord playwright Rosary O’Neill and her daughter and collaborator, Rory O’Neill Schmitt, discuss their recent residency at the Tyrone Guthrie Center in Ireland, their new book, and several upcoming projects.

Miller’s dark, moving one-act, which follows the relationship between hostages Lali and Beng, has reached the hearts of an array of theatergoers.

Director Curt Columbus and lead actor Angela Brazil discuss Sarah Ruhl’s brilliant dramatic comedy Becky Nurse of Salem, which they recently presented at Trinity Rep in Providence, Rhode Island.

The prolific playwright discusses Curtain Up!, Glorious, The Actress and End of the Rainbow – four unique plays exploring the lives of strong leading women in show business.

Playwright Emily Feldman discusses her play The Best We Could (a family tragedy), a very funny, achingly sad and inexplicably familiar play about a father and daughter’s search for meaning as they travel cross country to adopt a rescue dog.

In Richard Conlon’s dynamic play Hope Springs, rebellion breaks out at a privately run youth correction facility located on a remote island. We sat down with the playwright to discuss his play for young actors.

Axoloris: The Musical is an uplifting TYA musical addressing climate change. We caught up with the show’s creator, Sean Mendelson, to discuss his inspiration, vision and hopes for the future.

We recently connected with Brad Ross and Mary Hall Surface, composer and book writer of The Tales of Custard the Dragon, to discuss their meaningful collaboration on the audience-favorite family musical.

Playwright John J. Caswell, Jr. made a splash off-Broadway with Man Cave, a horrifying look at four Latinas who barricade themselves in the basement of a Republican congressman’s home, and Wet Brain, a family drama about three adult siblings who struggle to care for their alcoholic father. We reached out to John to discuss both plays.

Playwright Rosary Hartel O’Neill (author of Degas in Paris, The Awakening of Kate Chopin and other plays) and her daughter Rory O’Neill Schmitt discuss their latest collaboration, the nonfiction book Kate Chopin in New Orleans.

How Black Mothers Say I Love You, Trey Anthony’s heartfelt examination of Black womanhood and family, explores identity, loss and mother/daughter relationships. We connected with the playwright to discuss her inspirations behind and within this powerful and touching play.

What is it like adapting the same story to two different mediums? Joe Tracz, one of the brains behind The Lightning Thief: The Percy Jackson Musical and Disney+ series Percy Jackson and the Olympians, knows all about it. We join the writer for a conversation on reshaping Percy’s epic tale.

Follow playwright Roxy Cook into the fantastical world of A Woman Walks Into a Bank – a powerful portrayal of a country in crisis inspired by childhood fairytales and winner of the 2023 Theatre503 International Playwriting Award.

Birthday Candles, playwright Noah Haidle’s look at one woman’s experience with aging over the course of a century, explores the act of baking a cake as a metaphor for growing old. We touched base with playwright Haidle to discuss the special ingredients hidden within his latest work.

In November 2017, Thornton Wilder’s beloved tale of Grover’s Corners came to life in Miami, Florida as Our Town (Multilingual), presented in English, Spanish and Creole. We sat down with Miami New Drama’s founder and Artistic Director, Michel Hausmann, to discuss infusing his theatre’s community into a classic.

To celebrate 80 years of Hamlisch, we join the iconic composer’s closest family and collaborators to discuss his enduring legacy.

Saviana Stanescu’s fictional dark comedy about immigration, street clowns and the American Dream premiered off-Broadway in 2008. To celebrate the play’s 15th anniversary, we sat down with the playwright to discuss her work and its enduring relevance.

Mr. Burns – a post-electric play, Anne Washburn’s imaginative dark comedy featuring music by Michael Friedman, premiered off-Broadway at Playwrights Horizons on September 15, 2013. Ten years after the play’s auspicious opening, we caught up with the playwright to discuss The Simpsons, humor, fear, community and the power of storytelling.

Geek!, Crystal Skillman’s hilarious and fast-paced comedy-drama about the dynamic world of cosplay, premiered in New York City in 2013. To celebrate the show’s 10th anniversary, we caught up with the playwright to discuss the play’s inspiration, themes and enduring appeal.

We caught up with playwright Shomit Dutta to discuss his first play, Stumped, an insight into a game of cricket with playwrights Samuel Beckett and Harold Pinter.

Deborah Moggach, the author of The Best Exotic Marigold Hotel, talks with us about the stage adaptation of the Sunday Times bestselling book and beloved film starring Judi Dench, Maggie Smith and Bill Nighty.

Join our sleepover with author Matilda Feyiṣayọ Ibini to discuss her new play Sleepova; a frank, funny coming-of-age ode to black women. Get comfy and read Matilda’s thoughts on the play, its characters and her advice for young queer Black women.

We chatted with playwright Mahad Ali about the inspirations and the characters of his debut play, My Brother’s Keeper, about two refugee brothers who arrive in a small British seaside town and discover love, pain and commmunity.

On October 16, 2012, Natasha, Pierre & The Great Comet of 1812 premiered in New York City at Ars Nova. This year marks the show’s tenth anniversary – and in honor of the occasion, we sat down with Dave Malloy to chat about the show’s inspirations and journey across its multiple productions.

Playwright Joel Horwood discusses his stage adaptation of Neil Gaiman’s The Ocean at the End of the Lane, describing the challenges and rewards of transferring the fantasy/sci-fi myth from page to stage.

We reached out to the authors of The Grown-Ups to talk about the original, outdoor production of their summer-camp play in 2021, and their recent remounts outside of New York.

We spoke to playwright Guy Unsworth about his adaptation of the hit 1970s British sitcom Some Mothers Do ‘Ave ‘Em — the adaptation’s inspirations, the original show’s continued appeal and the experiences of working with the original show’s creator late Raymond Allen.