Plays with Great Roles for Black Women

A tenacious Harlem pastor. An assimilated Zimbabwean American woman and her traditional Zimbabwean sister. A passionate inner city public school teacher. A Jamaican American mother facing a fatal illness. An award-winning American playwright. Four brilliant Harvard grads; a surgeon, an actress, a psychologist and a neuropsychiatrist.

Explore a wide variety of plays featuring compelling roles created specifically for Black women.

Ain’t No Mo’ by Jordan E. Cooper (US/UK)
(Full-Length Play, Comedy / 4w, 2m)
Through a blend of sketch, satire, avant-garde theatre and a dose of drag, this unpredictable comedy answers the incendiary question: What if the United States government offered Black Americans one-way plane tickets to Africa?

Amani by a.k. payne (US/UK)
(Full-Length Play, Drama / 3w, 2m)
Amani grows up building a rocket ship with her father, who vows to make it to outer space… where his child can breathe easy, where there are no gangs to take his first love’s life, nor prisons to take Black boys’ best years. As Amani moves into adulthood, she seeks her voice and her own dreams.

American Son by Christopher Demos-Brown (US/UK)
(Full-Length Play, Drama / 1w, 3m)
An estranged biracial couple must confront their feelings about race and bias after their son is detained by the local police following a traffic stop incident.

August Wilson’s Ma Rainey’s Black Bottom (US/UK)
(Full-Length Play, Drama / 2w, 8m)
It’s 1927 and Ma Rainey, the “Mother of the Blues,” is recording new sides of old favorites in a rundown studio in Chicago. Fiery and determined, Ma Rainey fights to retain control over her music in August Wilson’s riveting portrayal of rage, racism, self-hatred and exploitation.

Bite Me by Eliana Pipes (US/UK)
(Full-Length Play, Drama / 1w, 1m)
When two teens – a privileged white boy and an overachieving Black girl – find themselves together in a storage closet, the heat soon boils over. Bite Me explores the drama (and trauma) of trying to fit in at high school, and the unfinished business that lingers over a decade later. 

Bullet Hole by Gloria Williams (UK)
(Full-Length Play, Drama / 3w)
Young Londoner Cleo was given her “gift” at age seven – except that “gift” left her with type 3 Female Mutilation. Finding strength after this hideous act, Cleo resolves to go against her family’s wishes and seek reversal surgery. On her journey of healing, she’s sent to live with Aunt Winnie and meets Eve, a fellow FGM survivor who is instantly drawn to her.

Bulrusher by Eisa Davis (US)
(Full-Length Play, Drama / 3w, 3m)
In 1955, in the redwood country north of San Francisco, a multiracial girl grows up in a predominantly white town whose residents pepper their speech with the historical dialect of Boontling. Passionate, lyrical, and chock full of down-home humor, Bulrusher is an unforgettable experience by a new, thrilling voice.

Cadillac Crew by Tori Sampson (US/UK)
(Full-Length Play, Drama / 4w)
On the eve of an important speech by Rosa Parks, four women working in a Virginia civil rights office celebrate, argue, plan and commiserate as they plot a course for desegregation and women’s rights.

Covenant by York Walker (US/UK)
(Full-Length Play, Drama / 4w, 1m)
Two years after his sudden disappearance, struggling guitarist Johnny “Honeycomb” James returns to his small town a blues star, sparking rumors that he made a deal with the devil. Inspired by the myth of Robert Johnson, this haunting, Gothic play explores the power of belief and tests the thin veil between rumor and truth. 

cullud wattah by Erika Dickerson-Despenza (US/UK)
(Full-Length Play, Drama / 5w)
Part call to action, part domestic drama, cullud wattah blends form and bends time to explore the poisonous effects of the Flint water crisis on a multigenerational family of Black women.

Detroit ’67 by Dominique Morisseau (US/UK)
(Full-Length Play, Drama / 3w, 2m)
Morisseau’s powerful play unfolds an explosive moment in our history – the race riots that ravaged the city of Detroit in 1967 – set to a vibrant soundtrack of the day’s music.

Dot by Colman Domingo (US/UK)
(Full-Length Play, Dramatic Comedy / 3w, 4m)
This twisted and hilarious new play grapples unflinchingly with aging parents, midlife crises, and the heart of a West Philly neighborhood.

Everybody’s Ruby by Thulani Davis (US)
(Full-Length Play, Drama / 4w, 10m)
This hard-hitting and intense drama, a sensation Off-Broadway, is based on a murder that took place in a small Florida town in 1952.

2019 Soho Rep Theatre production of Fairview (Julieta Cervantes)

Fairview by Jackie Sibblies Drury (US)
(Full-Length Play, Dramatic Comedy / 5w, 3m)
At the Frasier household, preparations for Grandma’s birthday party are underway. Beverly is holding on to her sanity by a thread to make sure this party is perfect, but her sister can’t be bothered to help, her husband doesn’t seem to listen, her brother is MIA, her daughter is a teenager, and maybe nothing is what it seems in the first place. In this Pulitzer Prize-winning play, Fairview presents a searing examination of families, drama, family dramas and the insidiousness of white supremacy.

False Creeds by Darren Canady (US/UK)
(Full-Length Play, Drama / 4w, 2m)
After his grandmother leaves him a “memory box” containing photos and journals related to the Tulsa race massacre, a young man witnesses his family’s history through the eyes of his grandmother as a young girl.

Familiar by Danai Gurira (US/UK)
(Full-Length Play, Comedy / 5w, 3m)
Marvelous and Donald, Zimbabwean emigrants in Minnesota, prepare for the marriage of their eldest daughter, Tendi, but their house is turned upside down when Marvelous’ sister comes from Zimbabwe to perform a very traditional wedding ceremony in which the groom barters for the bride.

Fat Ham by James Ijames (US/UK)
(Full-Length Play, Dramatic Comedy / 3w, 4m)
Pulitzer Prize-winning playwright James Ijames reinvents Shakespeare’s Hamlet with this delectable comic tragedy, in which an uproarious family barbecue becomes a compelling examination of love and loss through the eyes of a self-aware young Black man.

Feeding Beatrice by Kirsten Greenidge (US/UK)
(Full-Length Play, Dramatic Comedy / 2w, 2m)
This spine-chilling gothic tale, about a contemporary Black couple haunted by the ghost of a young white girl, deftly explores questions of race, class and the American Dream. June and Lurie have a haunting new houseguest – and she’s ravenously hungry.

Flex by Candice Jones (US/UK)
(Full-Length Play, Dramatic Comedy / 6w)
The pressure is on for the 1998 Lady Train High School basketball team – not only to bring home the championship trophy but also to survive college scouting season. Infighting breaks out, and the once-tight players begin to focus on their individual futures as Black women in the South.

for colored girls who have considered suicide / when the rainbow is enuf by Ntozake Shange (US/UK)
(Full-Length Play, Drama / 7w)
This groundbreaking “choreopoem” is a spellbinding collection of vivid prose and free verse narratives about and performed by Black women.

Funnyhouse of a Negro by Adrienne Kennedy (US)
(Full-Length Play, Drama / 5w, 3m)
Adrienne Kennedy’s Obie-winning play is a modern classic about Sarah, a young Black student living in New York City, and her search for her identity in a very complex, warring and fractured world.

Ghost Rider by Steph DeFerie (US)
(3w, 6m, 7 girls, 4 boys, 1 any gender)
This stirring 90-minute play, in which a modern-day family discovers that their home is haunted by the spirit of a young Black girl who died there while traveling through the Underground Railroad, features a variety of strong and dynamic roles for adults and youths.

Harriet Jacobs by Lydia R. Diamond (US/UK)
(Full-Length Play, Drama / 4w, 4m, 1 girl, 1 boy)
Harriet Jacobs explores with brutal honesty the hardships one woman endures under slavery, including the extraordinary choices she makes to be near her children. Accompanied by the rich musical traditions of slave spirituals, the play is an inspiring look at a young woman’s fascinating journey from slavery to freedom.

Hoard by Bim Adewunmi (UK)
(Full-Length Play, Comedy / 4w, 1m)
Hoard is the story of one close-knit Nigerian family and the old hurts that resurface over the course of one evening.

How Black Mothers Say I Love You by Trey Anthony (US/UK)
(Full-Length Play, Dramatic Comedy / 4w)
Hardworking Daphne left her two young daughters in Jamaica for six years to create a better life for them in America. Now, thirty years later, proud and private Daphne is relying on church and her dutiful daughter to face a health crisis. But the arrival of feisty activist Claudette stirs up the buried past, waking family ghosts and the burning desire for unconditional love.

If Pretty Hurts Ugly Must Be a Muhfucka by Tori Sampson (US/UK)
(Full-Length Play, Dramatic Comedy / 5w, 2m, 1 any gender)
Combining West African folklore and contemporary American culture, this dramatic comedy follows four teenage girls as they grapple with societal definitions of beauty. In fictional Affreakah-Amirrorkah, the girls are given an opportunity to live where their individual beauty can reign supreme. But this opportunity comes at a dangerous cost. 

In the Blood by Suzan-Lori Parks (US)
(Full-Length Play, Drama / 3w, 3m)
In this modern day riff on The Scarlet Letter, Hester La Negrita, a homeless mother of five, lives with her kids on the tough streets of the inner city. Her eldest child is teaching her how to read and write, but the letter “A” is the only letter she knows. Her five kids are named Jabber, Bully, Trouble, Beauty and Baby, but while they fill her life with joy – loving and comical moments amid the harsh world of the play – the adults with whom she comes into contact only hold her back.

Intimate Apparel by Lynn Nottage (US)
(Full-Length Play, Drama / 4w, 2m)
Esther, a gifted African-American seamstress living in 1905 New York City, searches for stability as she navigates relationships with two men who angle for her affections. Told with grace and delicacy by Pulitzer Prize-winning playwright Lynn Nottage, Intimate Apparel presents the troubles of the heart in all their glory.

Is God Is by Aleshea Harris (US/UK)
(Full-Length Play, Dramatic Comedy / 4w, 4m)
Is God Is is a modern myth about twin sisters who sojourn from the Dirty South to the California desert to exact righteous revenge. Winner of the 2016 Relentless Award, Aleshea Harris collides the ancient, the modern, the tragic, the Spaghetti Western, and Afropunk in this darkly funny and unapologetic world premiere.

2023 Manhattan Theatre Club production of Jaja’s African Hair Braiding (Matthew Murphy for MurphyMade)

Jaja’s African Hair Braiding by Jocelyn Bioh (US/UK)
(Full-Length Play, Dramatic Comedy / 9w, 1m)
This heartwarming, award-winning play tells the stories of a community of vibrant Black craftswomen at Jaja’s African Hair Braiding in Harlem – all of whom shine with lived-in warmth and detail – with delicacy and dignity. A show for anyone who’s ever had braids or wondered about these pillars of the Black community.

King Liz by Fernanda Coppel (US/UK)
(Full-Length Play, Drama / 3w, 3m)
Sports agent Liz Rico has money and an elite client roster but a woman in a man’s industry has to fight to stay on top. Enter Freddie Luna, a high school basketball superstar with a troubled past. If Liz can keep this talented yet volatile young star in line, she just might end up making not only his career, but her own as well. But at what price?

Last Night and the Night Before by Donetta Lavinia Grays (US/UK)
(Full-Length Play, Drama / 3w, 1m, 1 girl) 
Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, upturning Rachel and her partner Nadima’s orderly lifestyle. Monique is on the run from deep trouble, her husband Reggie is nowhere to be seen, and Samantha is haunted by the life she was forced to leave behind. 

Long Time Since Yesterday by P.J. Gibson (US)
(Full-Length Play, Drama / 8w)
Set in suburban New Jersey in the early 1980’s, this potent drama is about a reunion of former college classmates, now in their thirties, at the funeral of a friend who killed herself. A literate, humorous, sensitive look at the lives of contemporary Black women, this play features wonderful roles for female actors.

Lottery Day by Ike Holter (US)
(Full-Length Play, Drama / 5w, 5m)
The final play in Ike Holter’s Rightlynd saga, Lottery Day finds the matriarch of the neighborhood, Mallory, throwing a blowout party that brings together many of the characters from previous plays in the series. As Mallory reveals that her newly created holiday, Lottery Day, is the cause for celebration, the group discovers that their ties to each other, the community they love and even their own morals get tested in ways that they could never expect. What is the price of gentrification? What is the price of letting go? And does everyone have a price?

Marie and Rosetta by George Brant (US/UK)
(Full-Length Play, Dramatic Comedy / 2w)
Bringing fierce guitar playing and swing to gospel music, Sister Rosetta Tharpe was a legend in her time and a huge influence on Elvis Presley, Johnny Cash, Jimi Hendrix and Ray Charles. Marie and Rosetta chronicles her first rehearsal with a young protégée, Marie Knight, as they prepare to embark on a tour that would establish them as one of the great duos in musical history.

Milk Like Sugar by Kristen Greenidge (US/UK)
(Full-Length Play, Drama / 5w, 2m)
On Annie Desmond’s sixteenth birthday, she and her friends enter into a life-altering pact. When Annie tries to make good on her promise, she is forced to take a good look at the world that surrounds her, propelling her onto an irreversible path in this story that combines wit, poetry, and hope.

Notes from the Field by Anna Deavere Smith (US)
(Full-Length Play, Drama / 1w)
Based on real accounts from students, parents and faculty, this one-woman show spotlights the stories of those caught in America’s school-to-prison pipeline. Notes from the Field investigates a justice system that funnels young people from poor communities into the ubiquitous prison industrial complex. Inspired by over two hundred and fifty interviews with people living within this system, Smith’s documentary piece both fosters awareness and galvanizes audiences to seek tangible change.

Nine Night by Natasha Gordon (US)
(Full-Length Play, Dramatic Comedy / 5w, 2m)
When Gloria passes away, it falls to her British-born children to host the traditional Jamaican Nine Night celebration. Family and friends, familiar and unfamiliar, arrive to celebrate the life of the woman who connects them all and deal with unfinished business along the way. Nine Night is at once moving and raucously funny. Gordon paints the rituals of grief, the tensions of family and the complexities of identity with an acute eye and razor-sharp wit. 

Pipeline by Dominique Morisseau (US/UK)
(Full-Length Play, Drama / 3w, 3m)
Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son Omari opportunities they’ll never have. When a controversial incident at his upstate private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent.

Possession by Sasha Hails (UK)
(Full-Length Play, Drama / 3w, 2m)
Four mothers’ lives interweave across continents and time. A pregnant mother arrives in the UK from the Democratic Republic of Congo and births her daughter Hope on the bus near Victoria. A grown Hope crosses paths with a foreign correspondent with a particular interest in the latest mineral tormenting the DRC: cobalt. A Victorian missionary in King Leopold’s Congo fears history is repeating itself. Possession is a tale about desire, ownership, colonization, and, ultimately, the power of the spirit to escape oppression.

Proposals by Neil Simon (US)
(Full-Length Play, Comedy / 4w, 5m)
This elegiac memory play delightfully recalls the last time the Hines family gathered at their retreat in the Poconos. In the summer of 1953, Clemma, the housekeeper at the center of the action, casts an astute eye on the family’s complications while reckoning with her own unresolved past.

Race by David Mamet (US)
(Full-Length Play, Drama / 1w, 3m)
In a provocative new tale of sex, guilt and bold accusations, two lawyers find themselves defending a wealthy white executive charged with raping a Black woman. When a new legal assistant gets involved in the case, deep-seated opinions explode to the surface, dangerous truths are revealed and no punches are spared.

Shebeen by Mufaro Makubika (UK)
(Full-Length Play, Drama / 4w, 5m)
It’s a hot and humid summer in 1958 St Ann’s, Nottingham. Jamaican couple Pearl and George are helping Caribbean migrants to cut loose by hosting a forbidden party at their shebeen. As tensions mount on a night filled with rum, calypso and dancing, and with the shebeen under threat from the police, everyone is forced to confront the uncomfortable truths their relationships are built upon.

Single Black Female by Lisa B. Thompson (US/UK)
(Full-Length Play, Dramatic Comedy / 2w)
This two-woman show with rapid-fire comic vignettes explores the lives of thirty-something African American middle-class women in urban America as they search for love, clothes and dignity in a world that fails to recognize them amongst a parade of stereotypical images.

Slave Play by Jeremy O. Harris (US/UK)
(Full-Length Play, Dramatic Comedy / 4w, 4m)
The Old South lives on at the MacGregor Plantation – in the breeze, in the cotton fields… and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Slave Play rips apart history to shed new light on the nexus of race, gender and sexuality in 21st century America.

Smart People by Lydia R. Diamond (US/UK)
(Full-Length Play, Dramatic Comedy / 2w, 2m)
Four of Harvard’s brightest; a surgeon, an actress, a psychologist and a neuro-psychiatrist, are all interested in different aspects of the brain, particularly how it responds to race. But like all smart people, they are also searching for love, success, and identity in their own lives.

Steal Away by Ramona King (US)
(Full-Length Play, Drama / 6w)
Set in Chicago during the Depression, this farce is the story of five upstanding church ladies who raise funds to send young Black women to college by holding bake sales and the like. Their latest beneficiary, Tracyada, has more ambitious ideas; she convinces them all to rob a bank.

Stew by Zora Howard (US/UK)
(Full-Length Play, Dramatic Comedy / 4w)
In this compelling comedy-drama, three generations of Black women banter and bicker as they prepare for a feast. Tensions simmer with all the Tucker women under one roof, but things come to a boil when external violence invades Mama’s kitchen.

2011 Broadway production of Stick Fly (Richard Termine)

Stick Fly by Lydia R. Diamond (US/UK)
(Full-Length Play, Dramatic Comedy / 3w, 3m)
The affluent African American LeVay family is gathering at their Martha’s Vineyard home for the weekend, and brothers Kent and Flip have each brought their respective ladies home to meet the parents for the first time. As the two newcomers butt heads over issues of race and privilege, long-standing family tensions bubble under the surface and reach a boiling point when secrets are revealed.

The Amen Corner by James Baldwin (US/UK)
(Full-Length Play, Drama / 9w, 5m)
James Baldwin’s first play, about the female pastor of a Harlem church in 1954, grapples with issues of racism, poverty and the role of the church in the lives of Black Americans.

The Colored Museum by George C. Wolfe (US)
(Full-Length Play, Satire / 3w, 2m, 1 girl plus ensemble)
Presented as a series of eleven exhibits, this sharp satire examines what it means to be Black in America, using stereotypes both old and new to present a cutting picture of the way Black bodies are treated and thought of. With George C. Wolfe’s characteristic style and wit, The Colored Museum has electrified, discomforted and delighted audiences of all colors.

The Glorious World of Crowns, Kinks and Curls by Keli Goff (US/UK)
(Full-Length Play, Drama / 3w)
In the tradition of The Vagina Monologues and For Colored Girls, this collection of monologues and scenes features Black women from around the globe recalling unforgettable moments in their lives in which their hair took center stage. 

The Great Privation (How to flip ten cents into a dollar) by Nia Akilah Robinson (US/UK)
(Full-Length Play, Drama / 2w, 2m)
In 1832, a mother and daughter stand vigil behind a church in Philadelphia at the grave of a recently deceased loved one. Today, on the same grounds, another strangely familiar mother and daughter work as counselors at what is now a sleepaway camp. A darkly comedic play about our nation’s long practice of harming Black bodies in the name of scientific progress, our responsibility to time and the role joy plays in living with a history we cannot change.

The Light by Loy A. Webb (US/UK)
(Full-Length Play, Drama / 1w, 1m)
A surprise proposal gift puts the future of Genesis and Rashad’s relationship at risk when they are forced to confront a devastating secret from the past. The Light is a 70-minute, real-time roller-coaster ride of laughter, romance and despair that uncovers how the power of radical love can be a healing beacon of light.

The Mamalogues by Lisa B. Thompson (US/UK)
(Full-Length Play, Comedy / 3w)
During a single mother’s retreat, three women share their angst about racial profiling on the playground, their child being the “only one” at their school, and the politics of soccer in the hood. The satirical comedy follows the agonies and joys of motherhood as these moms guide children from diapers to college in a dangerous world. 

The Many Wondrous Realities of Jasmine Starr-Kidd by Stephen Brown (US/UK)
(Full-Length Play, Dramatic Comedy / 2w, 3m, 1 girl)
Jasmine Starr-Kidd is a 12-year-old computer genius who can hack into the AT&T mainframe, build an AI friend, and convince the Department of Defense to send her high-powered lasers. When she realizes that time travel is easier than convincing her parents to get back together, Jasmine takes matters into her own hands. 

The Niceties by Eleanor Burgess (US/UK)
(Full-Length Play, Drama / 2w)
Zoe, a Black student at a liberal arts college, is called into her white professor’s office to discuss her paper about slavery’s effect on the American Revolution. What begins as a polite clash in perspectives explodes into an urgent debate about race, history, and power.

The Refuge Plays by Nathan Alan Davis (US/UK)
(Full-Length Plays, Drama / 1-4w, 1-4m)
Late at night, a ghost tells Gail she will die within the next 24 hours. So begins The Refuge Plays, an epic tale in three plays that follows one Black family over 70 years. Written by Nathan Alan Davis, this bold reimagining of an American “family play” follows four generations in reverse chronology as they carve out an existence for themselves in a southern Illinois forest. Each of the three plays – Protect the Beautiful Place (US/UK), Walking Man (US/UK) and Early’s House (US/UK) – runs for 60 minutes. They can be presented together or individually. 

The Revolving Cycles Truly and Steadily Roll’d by Jonathan Payne (US/UK)
(Full-Length Play, Drama / 5w, 4m)
Karma’s foster brother, Terrell, has gone missing, and she’s trying to find him amidst the inner city chaos that is The Oblong – but his teacher can’t remember his name, his foster mom is still cashing his reimbursement checks, and his ex is glad he’s gone.

the ripple, the wave that carried me home by Christina Anderson (US/UK) 
(Full-Length Play, Drama / 3w, 1m) 
A poignant, transporting and quietly subversive story of racial justice, political legacy and family forgiveness. Janice’s childhood was steeped in her parents’ activism as they fought for the integration of public swimming pools in 1960s Kansas and taught scores of Black children to swim. But Janice later steps away from her parents’ politics and starts her own life and family far away – until she’s pressed into speaking at a ceremony honoring her father.

The Submission by Jeff Talbott (US/UK)
(Full-Length Play, Dramatic Comedy / 1w, 3m)
When white playwright Danny Larsen’s new play about an alcoholic Black mother and her son, written under the pseudonym “Shaleeha G’ntamobi,” is accepted into a prestigious play festival, lies pile up, shaky alliances are forged, and everyone dear to Danny must decide whether or not to run for cover as the whole thing threatens to blow up in his lily-white face.

To Be Young, Gifted and Black by Lorraine Hansberry (US)
(Full-Length Play, Drama / 5w, 3m)
A long-running success of the 1968/69 off-Broadway season, this fast-paced, powerful, touching and hilarious kaleidoscope of constantly shifting scenes and images recreates the world of a great American woman and artist, Lorraine Hansberry.

Trouble in Mind by Alice Childress (US/UK)
(Full-Length Play, Dramatic Comedy / 3w, 6m)
Set during rehearsals for a major Broadway production, this brilliant comedy-drama illuminates the inner life of a Black actress struggling with her career. Alice Childress’s 1955 play – which finally premiered on Broadway in 2021 – is a funny, moving and heartbreaking look at racism, identity and ego in the high-stakes world of New York theatre.

Wedding Band by Alice Childress (US)
(Full-Length Play, Drama / 8w, 3m)
It is the summer of 1918 in South Carolina; the growing attraction between Julie, an African American seamstress, and Herman, the white man that has kept company with her for years, accelerates into an affair. They must, of course, deal with the prejudices and wrath of ignorance in early 20th century America.

What to Send Up When It Goes Down by Aleshea Harris (US/UK)
(Full-Length Play, Drama / 4w, 4m)
As lines between characters and actors – as well as observers and observed – blur, a dizzying series of vignettes builds to a climactic moment in which performance and reality collide, highlighting the absurdity of anti-Blackness in our society. Through facilitation and dialogue we must decide how to cope, resist and move forward.

Where We Stand by Donnetta Lavinia Grays (US/UK)
(Full-Length Play, Drama / 1 any gender)
In a town running low on compassion, an exile seeks forgiveness, forcing the community to decide between mercy or justice. The storyteller spins a tale of a lonely soul tempted by the devil’s kindness on a fateful trip to the crossroads.

Wildlife! By Ramona King (US)
(Full-Length Play, Drama / 7w, 2 girls)
A unique story of seven ordinary non-enslaved women accused of murder, who escaped, kidnapped and fought to ultimately give their lives for the future of a little girl.

To learn more about these plays and other titles, visit the Concord Theatricals website in the US or UK.