Authors

Chris Miller and Nathan Tysen, co-authors of Fugitive Songs, discuss their decision to update the show.

Spanning over 50 years, Harold Pinter’s work has made a mark on not only the theatrical world, but the literary world as well. Celebrate his legacy with this list of some of his most memorable plays.

Get to know the eight finalists for the 2020 Women’s Prize for Playwriting, proudly sponsored by Concord Theatricals.

“One of the things both my grandfather and dad have both talked a lot about is belonging to the ‘Family of Actors.’” Beau Bridges and Emily Bridges present their musings on writing Acting: The First Six Lessons.

To celebrate International Friendship Day, some of our writing teams answer the question, “What’s the key to a lasting collaborative friendship?”

Rodgers & Hammerstein’s Cinderella has graced many a stage – and many a screen – since it first premiered in 1957. R&H President Ted Chapin delves into the history of the perennial musical gem.

Playwright Max Dickins gives an insight into the inspiration behind Kin – a wonderful play about the varied nature of family relationships.

Explore the inspiration behind David Almond’s Skellig, Heaven Eyes, The Savage and My Dad’s a Birdman, and find out how they were adapted from page to stage.

“I seemed to be drawn to works that I already knew were explorations of crisis situations, possibly looking for answers there.” Award-winning writer Jaki McCarrick discusses her go-to artworks during the lockdown period.

Charles Dickens died while writing Edwin Drood, and the story of his unfinished novel’s development is almost as intriguing as its contents.

Rosary O’Neill’s play Degas in New Orleans is making its way to the silver screen. Read more about its journey from stage to screen.

“We used to gather round a single light / To tell a lie so true it could ignite.” Writer Kait Kerrigan shares her thoughts on theatre and the pandemic.

Ted Chapin, President and Chief Creative Officer of the Rodgers and Hammerstein Organization, looks back on the development of the groundbreaking musical.

“I hope that whatever this gestation brings is better than what came before.” Award-winning playwright Sarah Ruhl shares her thoughts and wishes.

Lisa Kron, Tony-winning librettist/lyricist of Fun Home, hopes theater will “gather our losses into collective experience and imbue them with meaning.”

Tony-winning playwright Ken Ludwig addresses our questions about the power of art during this challenging time.

Stamp your passports and celebrate World Book Night with these Agatha Christie titles sure to take you on a thrilling vacation from the comfort of your home.

“Dramaturgs are beleaguered. They are bashed, silenced; they are badly paid. And still, they persevere.” Read this love letter to dramaturgs from Sarah Ruhl.

Author Rabiah Hussain shares the inspiration behind Spun, a story the evolution of a friendship, and also offers a few tips to those wanting to stage it!

Playwright Emily Jenkins discusses working with students to create COOKIES and gives advice for anyone wanting to license the play too.

From the incredibly funny, to the slightly dark, there’s a Chekhov play for any occasion.

Literary executors Laurence Maslon and David Pittu talk all things George S. Kaufman and why he remains one of the theatre’s master comic writers.

A few highlights of Noël Coward plays that would make a great addition to your theatre season.

Playwright Rosary O’Neill discusses her recent trip to Bonn, Germany as part of her work with Fulbright and discusses Degas’ shrouded ties to The Big Easy.

Ten Caryl Churchill plays you should definitely read.

The new stage adaptation of Agatha Christie’s Murder on the Orient Express was a labor of love for writer Ken Ludwig and director Emily Mann. Read all about their process of bringing this classic whodunit to the stage.

“If the play is played for truth, then humour, humanity and the emotional honesty of the characters will come through.“ Bill Rosenfield shares an insight into writing 46 Beacon.

Master of comedy Ken Ludwig does a deep-dive into his newest literary adaptation: The Three Musketeers.

Nearly all of Agatha Christie’s mysteries have a life outside of their existence as books.  The dramatic potential of many of her crime stories are well known by the Queen of Crime herself and by other playwrights.  While some of Christie’s plays are based on short stories or original ideas, over the course of her career, Christie dramatized several of her own novels for the stage. 

David Wood talks about writing for young audiences and young performances, adapting Roald Dahl’s tales for the stage, and working on the West End production of The Go-Between with Richard Taylor.

What is it about musicals like Gypsy, Cabaret, and Mame that seemed to empower the LGBTQ+ community? We sat down with theatre historian Patrick Pacheco to talk all about the musicals that helped us express our pride.

Octavio Solis, born in El Paso, Texas, to two Mexican immigrants, is quintessentially American — except he isn’t. Solis explores the “in-betweenness” of his Mexican-American identity and its impact on his storytelling.