Playwright Emily Feldman discusses her play The Best We Could (a family tragedy), a very funny, achingly sad and inexplicably familiar play about a father and daughter’s search for meaning as they travel cross country to adopt a rescue dog.

Playwright John J. Caswell, Jr. made a splash off-Broadway with Man Cave, a horrifying look at four Latinas who barricade themselves in the basement of a Republican congressman’s home, and Wet Brain, a family drama about three adult siblings who struggle to care for their alcoholic father. We reached out to John to discuss both plays.

Aimée Hayes, Co-Artistic Director of The Tent Theater Company, discusses her world premiere production of Where Women Go, playwright Tina Howe’s final work for the stage, originally commissioned by Concord Theatricals.

When you pick up a play by A. Rey Pamatmat, it won’t take long for you to become fully engrossed by his characters. Learn more here.

Very few plays come to mind that explore the professional world of sports, even fewer that delve into the specifics of the business poised on making money off of the literal blood and sweat of other people. Fernanda Coppel’s King Liz does just that, without pulling any punches.

Check out our latest playwright feature on Tanya Saracho!.

GLOW, one of the summer’s biggest TV hits, has audiences digging into the nostalgia of the 80’s and cheering for women that kick butt.

Samuel French’s Literary Associate Garrett Anderson discusses Bathsheba Doran’s The Mystery of Love and Sex.

Literary Associate Garrett Anderson explains why you, too, will love Linder & Hobgood’s hysterical play set in a bomb shelter.

Lorraine Hansberry considered LES BLANCS to be her most important work; but do you know why? Learn more here.

John Starr is a classical violinist. If he could have it his way, he’d be playing all over the world and creating music just like his idol, Charles Ives. Instead he’s stuck playing in Queens and getting occasional visits from his daughter, Laura.

Title and Deed is a monologue delivered by one man known simply as “Man.” He is not from here, in fact he is foreign. But that doesn’t stop him from exploring what it means to live everyday life, be it somewhere or nowhere at all.

Check out Contributor Garrett Anderson’s take on Samuel D. Hunter’s Pocatello.