Productions

Where are the limits to what technology can replace? In this series from Playwrights Horizons, explore Jordan Harrison’s newest play, MARJORIE PRIME.

Where are the limits to what technology can replace? In this series from Playwrights Horizons, explore Jordan Harrison’s newest play, MARJORIE PRIME.

Have you ever tried to plant tulips in the Sahara desert? It’s quite similar to an attempt to stage a new musical in Russia.

What happens when an author writes a musical, and then 35 years later receives a call for it to be produced in Moscow? Magic, that’s what. Read more.

Q&A with AMADEUS director Kent Nicholson, who takes a moment to think about the nearly four-decade popularity of Peter Shaffer’s hit play.

It may not be a musical, but Peter Shaffer’s AMADEUS certainly performs as one. Learn more through this insight into South Coast Rep’s recent production.

In a historic collaboration, three Vermont theaters have banded together to bring theatre-lovers across the state beloved British playwright Alan Ayckbourn’s classic comedy trilogy.

When who we are and what we do has been reduced to a transaction, the receipt on our commercialized life is Mark Ravenhill’s SHOPPING AND F***ING.

In a first-ever collaboration by three professional Vermont theaters, Alan Ayckbourn’s THE NORMAN CONQUESTS will be produced in rotation this spring and summer. Learn more!

When Red Mountain Theatre Company decided to produce THE SECRET GARDEN, they didn’t fully understand the journey that their child actors would take on – or how they would blossom. Read more.

Sarah Ruhl’s play, born in part from the generosity of Tibetans, is raising money for victims of last year’s Nepal earthquake. Learn more in this interview.

How can you adapt when something occurs that is outside of your belief system? Bekah Brunstetter’s new play explores just that.

South Coast Rep’s Artistic Director Marc Masterston is directing the world premiere of Bekah Brunstetter’s GOING TO A PLACE WHERE YOU ALREADY ARE. Check out this Q&A to hear his thoughts on the new play.

Theatre begets theatre. Learn more in this testimonial from Broadway Rose Theatre’s Dan Murphy.

Check out photos from a performance of Bill Russell’s ELEGIES at Birdland Jazz Club! The concert benefited Broadway Cares/Equity Fights AIDS.

Marin Theatre Company recently produced August Wilson’s GEM OF THE OCEAN, and we are proud to share their dramaturg’s pieces on the impact and influence of Wilson’s work.

Marin Theatre Company recently produced August Wilson’s GEM OF THE OCEAN, and we are proud to share their dramaturg’s pieces on the impact and influence of Wilson’s work.

Marin Theatre Company recently produced August Wilson’s GEM OF THE OCEAN, and we are proud to share their dramaturg’s pieces on the impact and influence of Wilson’s work.

Writers often play with the constraints of time by creating warped worlds. Playwright Adrienne Kennedy does so by taking you into a character’s mind. Learn how.

Director George Toles describe Will Eno’s writing as “openhearted deadpan.” Read more to learn why.

In Tom Stoppard’s 1972 play Jumpers, a character asks, “What’s so good about Good?” Mentioning this line in a note on his new play, The Hard Problem, Stoppard writes “I haven’t gotten any further.”

What’s the view like from the other side of the casting table? Especially when it’s your directorial debut, and your wife and brother are in the cast? Two River Theater Company’s Brandon J. Dirden tells all.

Bradley Cooper takes on the title role in the Broadway revival of Bernard Pomerance’s Tony-winning play.