Interview

Award-winning playwright, composer and music therapist Andrea Green creates musicals for young performers that deliver important messages on tolerance, inclusion, understanding and respect. We sat down with Andrea to discuss her career, her philosophy and her future endeavors.

Rachel Wagstaff and Richard Taylor discuss adapting Paul Gallico’s novel for the stage.

Playwright Emily Jenkins discusses working with students to create COOKIES and gives advice for anyone wanting to license the play too.

Actor Audrey Brisson on bringing Amélie to life on stage.

Nick Payne, author of critically acclaimed plays such as Constellations and If There Is I Haven’t Found It Yet, shares an insight into his creative process.

Henry Filloux-Bennett discusses adapting Nigel Slater’s autobiography Toast for the stage, why food is at the heart of the show, and advice for future performers.

An interview with composer and lyricist Richard Taylor.

Jack Bradfield of Poltergeist discusses creating the play Lights Over Tesco Car Park and offers advice on how to stage it yourself.

Playwright Phil Porter shares an insight in his creative process and rewriting Roman comedy in classical farce Vice Versa.

Javaad Alipoor shares an insight into directing One Flew Over The Cuckoo’s Nest.

Where are the limits to what technology can replace? In this series from Playwrights Horizons, explore Jordan Harrison’s newest play, MARJORIE PRIME.

Q&A with AMADEUS director Kent Nicholson, who takes a moment to think about the nearly four-decade popularity of Peter Shaffer’s hit play.

What’s the view like from the other side of the casting table? Especially when it’s your directorial debut, and your wife and brother are in the cast? Two River Theater Company’s Brandon J. Dirden tells all.