Long Reads for Long Evenings

The days are shorter and the air is cooler… it’s the perfect time to settle down for a good, long read! Stretch out, make yourself some tea, and explore these plays guaranteed to fill your afternoons with hours of theatre magic.

365 Days/365 Plays by Suzan-Lori Parks (US/UK)
(Collection of Short Plays / Flexible Cast Size)
In 2002, the incomparable Suzan-Lori Parks wrote a play every day for a year. The result is an extraordinary testament to artistic commitment. This collection of 365 impeccably crafted pieces, each with its own distinctive characters and dramatic power, is a complete work by an artist responding to her world, every day. Note: Theatre makers may present an assortment of selected plays from 365 Days/365 Plays. A presentation of 31 or more plays is considered “Full-Length,” while a presentation of 30 or fewer plays is considered “One Act.” 

Amadeus by Peter Shaffer (US/UK)
(Full-Length Play, Drama / 3w, 12m)
In the court of the Austrian Emperor Joseph II, Antonio Salieri is the established composer. Enter the greatest musical genius of all time: Wolfgang Amadeus Mozart. Salieri has given himself to God so that he might realize his sole ambition, to be a great composer. Mozart is a foul-mouthed, graceless oaf who has that which is beyond Salieri’s envious grasp: Genius. 

Arcadia by Tom Stoppard (US/UK)
(Full-Length Play, Comedy / 4w, 8m)
This stunning classic is set between 1809 and the present at an elegant estate owned by the Coverly family. The 1809 scenes reveal a household in transition. As the Arcadian landscape is being transformed into picturesque Gothic gardens, complete with a hermitage, thirteen-year-old Lady Thomasina and her tutor delve into intellectual and romantic issues. Present day scenes depict the Coverly descendants and two competing scholars who are researching a possible scandal at the estate in 1809 involving Lord Byron. This brilliant play moves smoothly between the centuries and explores the nature of truth and time, the difference between classical and romantic temperaments, and the disruptive influence of sex on our life orbits — the attraction Newton left out.

August Wilson’s Century Cycle
(Drama / Dramatic Comedy)
August Wilson’s staggering collection of ten plays chronicles the hopes, dreams, and struggles of the African American community in different decades throughout the 20th century. Each play is a long read in itself, but for an extra challenge, try reading them all in order of decade.

The plays are:

• 1900s – Gem of the Ocean (US/UK)
  (Drama) Set in 1904, August Wilson’s Gem of the Ocean begins on the eve of Aunt Esther’s 287th birthday. When Citizen Barlow comes to her Pittsburgh’s Hill District home seeking asylum, she sets him off on a spiritual journey to find a city in the middle of the Atlantic Ocean.
• 1910s – Joe Turner’s Come and Gone (US/UK)
  (Drama) In a black boarding house in Pittsburgh in 1911, each denizen has a different relationship to a past of slavery and to the urban present. They include the proprietors, an eccentric clairvoyant with a penchant for old country voodoo, a young homeboy up from the South, and a mysterious stranger searching for his wife.
• 1920s – Ma Rainey’s Black Bottom (US/UK)
  (Drama) It’s 1927 in a rundown studio in Chicago where Ma Rainey is recording new sides of old favorites. More goes down in the session than music in this riveting portrayal of rage, racism, the self hate and exploitation.
• 1930s – The Piano Lesson (US/UK)
  (Drama) In 1936, Boy Willie arrives in Pittsburgh from the South in a battered truck loaded with watermelons to sell. He has an opportunity to buy some land down home, but he has to come up with the money right quick. He wants to sell an old piano that has been in his family for generations, but he shares ownership with his sister and it sits in her living room. She has already rejected several offers because the antique piano is covered with incredible carvings detailing the family’s rise from slavery. Boy Willie tries to persuade his stubborn sister that the past is past, but she is more formidable than he anticipated.
• 1940s – Seven Guitars (US/UK)
  (Dramatic Comedy) In the backyard of a Pittsburgh tenement in 1948, friends gather to mourn for a blues guitarist and singer who died just as his career was on the verge of taking off. The action that follows is a flashback to the busy week leading up to Floyd’s sudden and unnatural death. Part bawdy comedy, part dark elegy, and part mystery.
• 1950s – Fences (US/UK)
  (Drama) Troy Maxson, a former star of the Negro baseball leagues, now works as a garbage man in 1957 Pittsburgh. Excluded as a black man from the major leagues during his prime, Troy allows his bitterness to take its toll on his relationships with his wife and his son, who now wants his own chance to play ball.
• 1960s – Two Trains Running (US/UK)
  (Drama) This chapter takes place in Memphis Lee’s coffee shop in a Pittsburgh neighborhood on the brink of economic development. The focus is on the characters who hang out there: a local sage, an elderly man who imparts the secrets of life as learned from a 322-year-old sage, an ex con, a numbers runner, a laconic waitress who slashed her legs to keep men away, and a mentally disabled man who was once cheated out of a ham. With Chekhovian obliqueness, the author reveals simple truths, hopes and dreams, creating a microcosm of an era and a community on the brink of change.
• 1970s – Jitney (US/UK)
  (Drama) In 1970, the Hill District of Pittsburgh is served by a makeshift taxi company. Becker, who runs the station, is world-weary and hit by two bitter blows: the city is about to tear down the decaying building that houses his taxi station, and his estranged son, Booster, who went to prison for 20 years for killing a woman, is coming home. Booster’s return triggers a long-awaited confrontation about the price of pride.
• 1980s – King Hedley II (US/UK)
  (Drama) Peddling stolen refrigerators in the feeble hope of making enough money to open a video store, King Hedley, a man whose self-worth is built on self-delusion, scrapes the dirt of an urban backyard trying to plant seeds where nothing will grow. Getting, spending, killing and dying in a world where getting is hard and killing is commonplace are threads woven into this stunning play. The shadows of the past reach into the present as King seeks retribution for a lie perpetrated by his mother regarding the identity of his father.
• 1990s – Radio Golf (US/UK)
  (Dramatic Comedy) A fast-paced, dynamic, and wonderfully funny work about the world today and the dreams we have for the future. Set in Pittsburgh in the late 1990s, it’s the story of a successful entrepreneur who aspires to become the city’s first black mayor. But when the past begins to catch up with him, secrets get revealed that could be his undoing. Completed shortly before Wilson’s death in 2005, this bittersweet drama of assimilation and alienation in nineties America traces the forces of change on a neighborhood and its people caught between history and the twenty-first century.

Blithe Spirit by Noël Coward (US/UK)
(Full-Length Play, Comedy / 5w, 2m)
Looking for a little hilarity? Noël Coward offers up fussy, cantankerous novelist Charles Condomine, re-married but haunted (literally) by the ghost of his late first wife, the clever and insistent Elvira who is called up by a visiting “happy medium,” one Madame Arcati. As the (worldly and un-) personalities clash, Charles’ current wife, Ruth, is accidentally killed, “passes over,” joins Elvira, and the two “blithe spirits” haunt the hapless Charles into perpetuity

Copenhagen by Michael Frayn (US/UK)
(Full-Length Play, Drama / 1w, 2m)
In 1941, German physicist Werner Heisenberg went to Copenhagen to see his Danish counterpart, Niels Bohr. Together they had revolutionized atomic science in the 1920s, but now they were on opposite sides of a world war. In this incisive drama, the two men meet in a situation fraught with danger in hopes of discovering why we do what we do.

Father Comes Home from the Wars Parts 1 2 & 3 by Suzan-Lori Parks (US/UK)
(Full-Length Play, Drama / 2w, 8m)
Offered his freedom if he joins his master in the ranks of the Confederacy, Hero, a slave, must choose whether to leave the woman and people he loves for what may be yet another empty promise. As his decision brings him face-to-face with a nation at war with itself, the loved ones Hero left behind debate whether to escape or wait for his return…only to discover that for Hero, free will may have come at a great spiritual cost. Father Comes Home From the Wars is an explosively powerful drama about the mess of war, the cost of freedom, and the heartbreak of love, with all three parts seen in one night. Part 1 introduces us to Hero. In Part 2, a band of rebel soldiers test Hero’s loyalty as the cannons approach. Part 3 finds Hero’s loved ones anxiously awaiting his return. A devastatingly beautiful dramatic work filled with music, wit, and great lyricism, Father Comes Home From the Wars is an epic tale about holding on to who we are and what we love in a country that both brings us together and rips us apart.

Golden Shield by Anchuli Felicia King (US/UK)
(Full-Length Play, Drama / 4w, 4m)
A riveting work about loyalties, intrigue and the delicate art of translation. In this tense drama, two Chinese American sisters lead a class action lawsuit to expose an American tech giant’s involvement with the Chinese government’s firewall, Golden Shield. The play is a whirlwind tour of social and political locales ranging from American courtrooms to Chinese boardrooms to Beijing dive bars, and the story’s transnational events are supported by The Translator, who bridges the gap between Mandarin, English and everything in between. 

I, Joan by Charlie Josephine (UK)
(Full-Length Play, Drama / 4w, 6m, 1 any gender)
A powerful and joyous new play, this retelling of Joan of Arc’s story is alive and queer and full of hope. The men are all fighting, again. An endless war. From nowhere, an unexpected leader emerges. Young, poor and about to spark a revolution. Rebelling against the world’s expectations, questioning the gender binary, Joan finds their power within, and their belief spreads like fire. 

Les Liaisons Dangereuses by (US/UK)
(Full-Length Play, Drama / 6w, 4m)
A tale of seduction and treachery among aristocrats in pre-revolutionary France, this is classic drama – adapted into the Oscar-winning film Dangerous Liaisons – explores decadent sexuality, manipulation and a ruthless battle for power. 

Lewiston/Clarkson by Samuel D. Hunter (US/UK)
(Full-Length Plays, Drama / 2w, 1m and 1w, 2m)
Lewiston/Clarkston consists of two deeply moving works by Award-winning playwright Samuel D. Hunter. Through quiet rhythms and characters torn between nostalgia and escapism, they elucidate an unnamable quality that unites Americans, and people living on the planet. Set at a firework stand off a rural Idaho highway, Lewiston explores the emotional frontiers of a family struggling to make a home in the vastness of the American landscape. In Clarkson, two very different men on night shift at the Costco in a rural American town form an unusual bond while stocking shelves. 

Noises Off by Michael Frayn (US/UK)
(Full-Length Play, Comedy / 4w, 5m)
A manic menagerie of itinerant actors are rehearsing a flop called Nothing’s On. This backstage farce is complete with doors slamming, on and offstage intrigue, and an errant herring. One of the theatre’s classic, enduring comedies, Noises Off will fill your days with side-splitting jokes.

Passion Play by Sarah Ruhl (US/UK)
(Full-Length Play, Dramatic Comedy / 3w, 8m)
Hailed by The New Yorker’s John Lahr as “extraordinary,” “bold,” and “inventive,” this intimate epic occurs at the timely intersection of politics and religion. Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 Northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergau, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the time of Vietnam through Reagan’s presidency. In each period, the players grapple with the transformative nature of art, and politics are never far in the background. 

Prayer for the French Republic by Joshua Harmon (US/UK)
(Full-Length Play, Drama / 6w, 10m)
This gorgeous multigenerational drama explores one family’s relationship to faith, history and safety from a global perspective. In 1944, a Jewish couple in Paris desperately await news of their missing family. More than 70 years later, the couple’s great-grandchildren find themselves facing the same question their ancestors asked: “Are we safe?”  

The Hollow by Agatha Christie (US/UK)
(Full-Length Play, Drama / 6w, 6m)
An unhappy game of romantic follow-the-leader explodes into murder one weekend at The Hollow, home of Sir Henry and Lucy Angkatell, arguably Christie’s finest comic grande dame. Dr. Cristow, the Harley Street lothario, is at the center of the trouble when, assembled in one place, we find his dull but devoted wife, Gerda, his mistress and prominent sculptor, Henrietta and his former lover and Hollywood film star, Veronica. Also visiting are Edward and Midge, whose romantic assertions are likewise thrown into the mix. As the list of romantic associations grows so does the list of potential suspects when Cristow is shot dead. Nearly everyone has a motive, but only one of them did the deed.

The Honeycomb Trilogy by Mac Rogers
(Full-Length Plays, Drama)
An electrifying trio of plays, The Honeycomb Trilogy is broken into three full-length parts: Advance Man, Blast Radius, and Sovereign. Though these plays are a part of the same universe, each play stands on its own. A thrilling and sincere sci-fi drama that indulges your want for the spectacular while grappling with the real human emotions that come with the end of the world.

• Advance Man: Part One (US/UK) follows Astronaut Bill Cooke after he returns home from the first manned mission to Mars, bearing secret and illicit cargo. Now his wife and teenage children are all that stand between Bill and a shocking action that will alter not only their lives but also all of humanity.
• Blast Radius: Part Two (US/UK) picks up twelve years after the events of Advance Man, and follows a sister and a brother at mortal odds in an Earth radically changed by an alien occupation. Ronnie leads a desperate human insurgency that might have finally found the weapon to turn the tide – at a terrible cost. Abbie, who has allied himself with the conquering alien race, may have found a chilling solution that will end human resistance for good. Action-packed and emotionally charged, Blast Radius is the story of a family and a world at war with itself.
• Sovereign: Part Three (US/UK) takes place eight years after the events of Blast Radius and completes the story of the sister and brother. The alien race that has ruled the Earth has fallen to Ronnie’s rebellion, with the few remaining survivors on the run. The human race is slowly rebuilding, and Ronnie is now the battle-scarred governor of what used to be Florida. One night, Ronnie’s soldiers smuggle into her office the greatest war criminal in the world: her brother Abbie, the foremost human ally of the extraterrestrials. As Ronnie grapples with an awful decision about what to do with the man she both hates and loves, Abbie makes one last desperate move, forcing a confrontation that will forever change the future of the human race. Unfolding over two suspenseful real-time acts, Sovereign brings The Honeycomb Trilogy to a wrenching and unforgettable climax.

The Lehman Trilogy by Stefano Massini and Ben Power (US/UK)
(Full-Length Play, Drama / 3m)
Weaving together nearly two centuries of family history, this epic theatrical event charts the humble beginnings, outrageous successes and devastating failure of the financial institution that would ultimately bring the global economy to its knees. 

The Norman Conquests by Alan Ayckbourn (US/UK)
(Full-Length Plays, Comedy / 3w, 3m)
Living Together, Round and Round the Garden and Table Manners make up this trilogy of plays. All occur during a single weekend in different parts of the same house and concern a group of related people. Each is complete in itself and can be played alone, or as a group they can be performed in any order. However, each benefits when produced with the others. A common factor is Norman’s inadequate attempts to involve himself in turn with his sister-in-law, his brother-in-law’s wife, and his own wife.

The Seagull/Woodstock, NY by Thomas Bradshaw and Anton Chekhov (US/UK)
(Full-Length Play, Dramatic Comedy / 4w, 6m)
A group of New York theatre people retreat to a house in the Hudson Valley hoping to get away from it all. Except they can’t seem to escape the ambitions, rivalries and fragile egos that follow them everywhere. Chekhov’s sharp satirical eye for hypocrisy and self-absorption among well-meaning people is given fresh, fun emphasis in this contemporary reworking of a classic. 

The Sign in Sidney Brustein’s Window by Lorraine Hansberry (US/UK) 
(Full-Length Play, Dramatic Comedy / 3w, 5m) 
Hansberry’s second Broadway play is the probing, hilarious and provocative story of Sidney, a disenchanted Greenwich Village intellectual, his wife Iris, an aspiring actress, and their colorful circle of friends and relations. Set against the turmoil of a stormy 1964 political campaign, the play follows its characters in their unorthodox quests for meaningful lives in an age of corruption, alienation and cynicism.

The Skin of Our Teeth by Thornton Wilder (US/UK)
(Full-Length Play, Comedy / 4w, 4m)
Combining farce, burlesque and satire, Thornton Wilder’s Pulitzer Prize-winning play depicts an Everyman family as it narrowly escapes one end-of-the-world disaster after another, from the Ice Age to flood to war. 

Three Sisters (George) by Madeleine George (US/UK)
(Full-Length Play, Drama / 5w, 8m)
A new translation of Chekhov’s classic play about big souls trapped in tiny boxes. Stuck in the Russian countryside at the turn of the 20th century, sisters Olga, Masha, and Irina dream of futures in the wake of their father’s death amidst a changing world. 

For more exciting plays and musicals for your reading list, visit Concord Theatricals in the US or UK.